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And then the very last section before the ending awkward.Įven then, the best parts of the game for me The Dead City and Volga. However, I did like "The Dead City" because it was more like 2033 and Last Light, minus the awful boat section that took up nearly half of what would have been an amazing ending to the game. "Press and Hold E" to climb this ladder, open this door, crawl under this or that, and everything that is automated. It instantly reminded me of Wolfenstein 1 and 2. There was one section in the game where you fight that one armored human enemy and introduces the gatling gun. I'm sure Deep Silver and 4A Games thought that Metro was too niche (it is a very niche game, especially on consoles), and set out to change the game to gain a wider audience. It is trying to please an audience that enjoys games like Far Cry, RAGE, Mad Max, Wolfenstein 1 and 2, and other open-world games. However, there were these awkward pauses between characters exchanging lines, and failed to add that dramatic effect. Although it does some things well such as gunplay, sound design, and atmosphere in certain locations, it has lost its identity.Ĭharacters are forgettable. The pacing between the seasonal maps was poorly done. The second map (summer, desert) is forgettable. Volga had that STALKER atmosphere and vibe.
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